Maybe it's because of his age, because someone like Christian Lingenhöle has a lot to tell. He has dedicated his life to winter sports. It is thanks to him that the ski museum in Damüls is what it is today: an exhibition that has received an award from the International Ski Federation, the FIS. With a unique collection that pays homage to Vorarlberg skiing, its pioneers and history.
Christian Lingenhöle skied for the first time at the age of three and still skis over 70 days a year as a pensioner. In addition to ski resorts such as Livigno in Lombardy or the Arlberg, he spends most of his time skiing in Damüls. His favorite place, where his parents built their first vacation home and a ski lift in 1950. The young Lingenhöle spent almost every weekend and vacation in the snow-sure mountain village between the Bregenzerwald and the Großes Walsertal. "To ease my homesickness for skiing, I always took a snowball from Damüls to Bregenz and kept it in the fridge," says the former ski instructor with a smile.
The sportsman's love of snow stayed with him for the rest of his life. For 41 years, he was the youngest merchant in Austria to run a sporting goods store in Bregenz, where the hunt for his treasures began. Primarily as decoration for the store, later for the extensive exhibition in Damüls. How did he come across the precious exhibits? "I heard from somewhere that there used to be a 'Kanisski' in Au. Then I went there and asked relatives of the former company. I saw a friend's logo with the Kanisfluh as a decal in an old exercise book, and that got the ball rolling," says the collector. Such a search can sometimes take a long time; it took him five years, for example, just to find this coveted ski. In 2011, the former vicarage below the Damüls church then offered itself as a new exhibition venue for his collection. Two years to collect even more intensively before the ski museum was officially opened. Many exhibits were donated, lent or sold to him. The archive became so large that he was given another depot in the basement when the building was renovated. Upstairs on the second floor of the historic wooden building, his exhibition focuses on three main areas: The pioneers, the material and racing.
Here, in Christian's world, the first part of the exhibition begins with stories about three Vorarlberg skiing pioneers: Viktor Sohm, Hannes Schneider and Colonel Bilgeri. "They made a significant contribution to the development of skiing and tourism in the region," emphasizes the expert. One of them was Viktor Sohm, who in 1887 was the first skier in the Austro-Hungarian monarchy to ski with Norwegian equipment on the Gebhardsberg, above Bregenz.
As a ski course instructor in Zürs in 1906, he was also the teacher of another pioneer: Hannes Schneider from Stuben am Arlberg. He appeared in over 20 films, including "Der weiße Rausch" and became famous for his own turn: the Arlberg technique. "A stem turn in a low crouch that initiates the turn faster and allows you to ski more safely," explains Christian. A critic of the Nazi regime, Schneider emigrated to America during the Second World War and built a large ski school there, which is still run by his great-grandson today.
The third pioneer in the group was Colonel Bilgeri. Like Sohm, also a Bregenzer, he trained soldiers and brought the Bilgeri binding onto the market. He helped the two-pole technique and ski gymnastics achieve a breakthrough, developed ski waxes and functional ski equipment made from worsted wool and silk lining. "The women also loved the colonel," jokes the museum director. Sales regularly increased in his sister's hat store when he announced he was staying overnight at her house. "When he died, it was said that he should be given a white ribbon on his cross as a single man. Friends intervened and it became a gray one," Christian knows from a reliable source.
THE MATERIAL
One room further on you will find everything that has changed in terms of material: From Christian's wooden children's skis to his father's two-meter-long slalom skis to the latest carving skis. "In the beginning, the Scandinavians skied, or rather walked, on three-meter-long skis. Because they were mainly used for hunting," explains the expert. In the 70s, they then switched to short skis. "You could ski around bends with little effort, but you could also ski beyond your limits. There were a lot of accidents," Christian continues. In 1992, Kneissl then launched the waisted ski: wide at the front and back and slim in the middle. "This made it easier to initiate the turn and ski more smoothly, as we know it today," he explains.
However, the biggest leap in the history of skiing was the switch from wooden to metal skis, which Howard Head introduced in the early 1950s. "Back then, Kästle still had to pay five dollars to the American for every metal ski that left Hohenems," says the collector. Then came the plastic ski, the first one from Kästle in the 60s already cost a hefty 500 euros. In the last 20 years, Christian says, not so much has changed. This can also be seen in the racing skis of professionals such as Marcel Hirscher, Axel Lund Svindal, Anna Veith and Felix Neureuther, which are displayed in the museum as a reminder of their successes.
One room further on are extraordinary exhibits from a total of thirteen Wagner masters who produced skis and accessories in Vorarlberg from 1920 onwards. The car came onto the market and the manufacturers of stagecoaches, carts and wagons of the time were forced to switch their production to skis. Back then, there were Dorner skis from Egg, Meusburger skis from Bezau, Frei skis from Nüziders and Einsle skis from Bregenz. Today, only the best-known Wagner company remains - Kästle from Hohenems, with the then famous Arlberg skis.
The third focus of the ski museum shows historical exhibits of former Vorarlberg racers who won a medal at the Olympics or World Championships.
There are also some of Lingenhöle's favorite pieces, which have an emotional value for the museum director. One of these is the number five of Trude Jochum-Beiser, who was the first woman from Vorarlberg to win a gold medal at the 1952 Winter Olympics in Oslo. Secondly, the World Championship medals of Heidi Zimmermann-Strasser and Werner Bleiner as well as Toni Innauer's first ski jump, which wasn't actually a ski jump at all.
When Innauer was twelve years old, he was not nominated for a ski race. Out of spite, he mounted a jump binding on an alpine ski and trained with it behind his house. In the same winter, he used it to jump to the hill record at the national ski jumping championships on the Pfänder. "At the Austrian championships, he was told to change skis so they wouldn't be ashamed. He said, either I come with this ski or not at all," says Christian. Innauer became runner-up and later a legend as world champion and Olympic champion. Every success is in the detail. Christian Lingenhöle, who has an exciting story to tell about every exhibit in the Damüls Ski Museum, would certainly agree. On Tuesdays and Fridays, as well as during special exhibitions, his team with Pepi, Egon and Reinold open the museum doors and invite interested visitors to join them in reminiscing.